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Built-in Groove, Soul, and Character. Method 1 calls upon the ancient order of Drum legends. Mike WiLL Made-it, Havoc of Mobb deep, KRS-ONE and many more. Who sparked generations of music, culture, and Top Hits.

$169

Coming Soon! Estimated date: Fall 2019

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An exceptional palette of sounds to design, compose, score, sweeten and create astonishingly impressive cinematic elements. Create breathtaking cinematic sounds, hybrid sound effects and orchestrated elements with ease.

$148

Save $100 and get Infiltration Thriller when you order today.

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A state of the art synth engine combining ultramodern analog strings and powerful designer pads backed with the most advanced music tech in the industry. Customize and expand your sonic horizons in ways never before possible.

$149

Coming Soon! Estimated date: Winter 2019

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Words from You

"The library scores big for expressive sounds and flexible ways to customize the sound material"
Beat.de MagazineReview of Collision FX
Beat.de Magazine
“Whether it’s for film scoring or writing for Underoath, I don’t have another tool that’s as versatile as Collision FX."
Chris DudleyMusic Producer & Composer, Artist in UnderOath– Review of Collision FX
Chris Dudley
"Great tools for any film composer to give their score that big budget sound."
James ShivelyComposer Recording Artist
James Shively
"There are some rich and powerful sounds possible with this instrument and it seems particularly suited for scoring trailers and action sequences."
The Pro Audio FilesReview of Collision FX
The Pro Audio Files
“The first sample I triggered was a sure sign that this entire library was going to be insane"
Gilde FloresMusic Composer, Producer for Visual & Audio Media – Review of Collision FX
Gilde Flores
“The Collision FX is absolutely a brilliant library! Highly, highly recommended!"
Adi GoldstienMusic Producer & Composer for films, TV & Commercials. – Review of Collision FX
Adi Goldstien
“This KONTAKT library provides endless inspiration for starting tracks or to just add that sprinkling of fairy dust to bring a track together."
SoundBytes MagazineReview of Collision FX
SoundBytes Magazine
“The first sample I triggered was a sure sign that this entire library was going to be insane"
Gilde FloresMusic Composer, Producer for Visual & Audio Media – Review of Collision FX
Gilde Flores
“The Collision FX is absolutely a brilliant library! Highly, highly recommended!"
Adi GoldstienMusic Producer & Composer for films, TV & Commercials. – Review of Collision FX
Adi Goldstien
“Whether it’s for film scoring or writing for Underoath, I don’t have another tool that’s as versatile as Collision FX."
Chris DudleyMusic Producer & Composer, Artist in UnderOath– Review of Collision FX
Chris Dudley
"Great tools for any film composer to give their score that big budget sound."
James ShivelyComposer Recording Artist
James Shively
“This KONTAKT library provides endless inspiration for starting tracks or to just add that sprinkling of fairy dust to bring a track together."
SoundBytes MagazineReview of Collision FX
SoundBytes Magazine
"There are some rich and powerful sounds possible with this instrument and it seems particularly suited for scoring trailers and action sequences."
The Pro Audio FilesReview of Collision FX
The Pro Audio Files
"The library scores big for expressive sounds and flexible ways to customize the sound material"
Beat.de MagazineReview of Collision FX
Beat.de Magazine
“The first sample I triggered was a sure sign that this entire library was going to be insane"
Gilde Flores
Gilde FloresMusic Composer, Producer for Visual & Audio Media – Review of Collision FX
“The Collision FX is absolutely a brilliant library! Highly, highly recommended!"
Adi Goldstien
Adi GoldstienMusic Producer & Composer for films, TV & Commercials. – Review of Collision FX
“Whether it’s for film scoring or writing for Underoath, I don’t have another tool that’s as versatile as Collision FX."
Chris Dudley
Chris DudleyMusic Producer & Composer, Artist in UnderOath– Review of Collision FX
"Great tools for any film composer to give their score that big budget sound."
James Shively
James ShivelyComposer Recording Artist
“This KONTAKT library provides endless inspiration for starting tracks or to just add that sprinkling of fairy dust to bring a track together."
SoundBytes Magazine
SoundBytes MagazineReview of Collision FX
"There are some rich and powerful sounds possible with this instrument and it seems particularly suited for scoring trailers and action sequences."
The Pro Audio Files
The Pro Audio FilesReview of Collision FX
"The library scores big for expressive sounds and flexible ways to customize the sound material"
Beat.de Magazine
Beat.de MagazineReview of Collision FX

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